(CM144: 28 cues) . D)127-131 cites passages relating to Falstaff’s assignation with Mistress Ford on behalf of ‘Mr Brook’ calling for the fine lute song …
Značka: As You Like It
(CM126-7: 65 cues) First performance 1606; first folio (1623) has added musical stage directions; OS (1990) 225-33. App. B ‘Musical Additions’/ NC p. xxiv/ B258 …
(CM242: 35 cues) The most recent contribution to the study of the place of music and dance in this play, in David Lindley’s Shakespeare and …
(CM105-6 48 cues) act scene line Click here to find out more about suggested song I i 0; 225 {Flourish}; [Colbrand, the Giant, that same …
(CM236: 46 cues); see especially F W Sternfeld Troilus and Cressida: music for the play, pp. 114-5, in English Institute Essays, 1952; ed. by A. …
(CM140: 30 cues) In Act V (‘The Belmont Act’) Shakespeare’s philosophy on the power of music is expounded (cf W7), an Act ‘drenched in moonlight …
By Shakespeare and George Wilkins (CM198: 13 cues). Reconstructed text The un-Shakespearean quality of the first two acts has been noted and are generally accepted …
(CM107-9: 60 cues) This survey refers to the version as printed in the 1623 Folio. The 18 verse snatches are listed as it has been …
(CM207: 17 cues) H. J. Oliver in OS (1982) gives the background to the Music Lesson in III i 45-83, DO 101-2 gives the score …
(CM112: 25 cues) Note especially Dinn Music in ‘Love’s Labour lost’ (DM), Maynard on the songs and singers in this play (ME 176-7) and ‘A …
(With Fletcher and possibly Massinger) (CM97-8: 47 cues). Original subtitle was ‘All is true’. This is largely a pageant play, in the words of Herbert …
(CM261: 7 cues) SM20 notes that the musicians in the play were adults; SJ3 notes their specific instruments. As well as much allusion to music …
(CM176: 27 cues) MM178-182 Suggestions for music discussed including ‘Aeirs in 5 parts’ by HOLBORNE. MM182: minimum 7 players: 2-3 bowed strings and one plucked; …
(CM55-6: 62 cues) [See esp. S53-66 and OS (1987): pp. 379-381 App. D. The Music of the Songs, ed. from contemporary material by F.W. Sternfeld …
CM57-75, cues; MM39; special use of trumpets: first use in Acts iv and v. SM19: In this and in Richard II for the first time …
(CM46-7: 44 cues). In OS (1998) 270-4 App. B: James Walker, and in AS3 (1998) 220-4 App C, John Caldwell discuss the provenance of the …
(CM20-21: 43 cues). Note especially Penguin edition, ed. H. J. Oliver, 1968, 2005, The Songs, pp 105-8. and Denis Stevens. The five songs in ‘As …
† Items so marked consist mainly of commentary where references are to page numbers. The names of Composers are capitalised except where they are mainly …
SETTINGS FOR SHAKESPEARE PLAYS IN MUSIC OF HIS TIME incorporating passages which relate to music and dancing * Indicates that this word will be found …
and other instrumental pieces bearing characteristic titles included in anthologies of Elizabethan and Jacobean music. The rare titles with the wording as it occurs in …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …