(CM107-9: 60 cues) This survey refers to the version as printed in the 1623 Folio. The 18 verse snatches are listed as it has been …
Autor William
(CM207: 17 cues) H. J. Oliver in OS (1982) gives the background to the Music Lesson in III i 45-83, DO 101-2 gives the score …
(CM101: 45 cues) MM175-7 has performance suggestions. Of the many *alarms indicated in the stage directions in Act V, these could be played as confused …
(CM112: 25 cues) Note especially Dinn Music in ‘Love’s Labour lost’ (DM), Maynard on the songs and singers in this play (ME 176-7) and ‘A …
(CM203: 2 cues) SM17 in this play ‘the blaring stridency of military instruments is both self-expression and psychological compensation’. The York Waits have produced an …
(With Fletcher and possibly Massinger) (CM97-8: 47 cues). Original subtitle was ‘All is true’. This is largely a pageant play, in the words of Herbert …
(CM261: 7 cues) SM20 notes that the musicians in the play were adults; SJ3 notes their specific instruments. As well as much allusion to music …
Adapted by Thomas Middleton (CM137: 23 cues). AS2 App2: pp 201-3 The songs, by F.W. Sternfeld. See also David Lindley on the provoking power of …
(CM176: 27 cues) MM178-182 Suggestions for music discussed including ‘Aeirs in 5 parts’ by HOLBORNE. MM182: minimum 7 players: 2-3 bowed strings and one plucked; …
(CM55-6: 62 cues) [See esp. S53-66 and OS (1987): pp. 379-381 App. D. The Music of the Songs, ed. from contemporary material by F.W. Sternfeld …
CM57-75, cues; MM39; special use of trumpets: first use in Acts iv and v. SM19: In this and in Richard II for the first time …
(CM46-7: 44 cues). In OS (1998) 270-4 App. B: James Walker, and in AS3 (1998) 220-4 App C, John Caldwell discuss the provenance of the …
(CM16: 120 cues); see especially S81-7, 93. SM36: ‘The brazen din of trumpets’ is a characteristic of the play. Under the direction of Peter Hall, …
(CM44-5: 62 cues) LH224-5: Role of cornettists; 12-15 instrumentalists needed; MM49 trumpet onlyfor Coriolanus; role of trumpet, drums, hautboy. cornetti SATB= co+co/sa+2sa. MM8 cornetti for …
(CM20-21: 43 cues). Note especially Penguin edition, ed. H. J. Oliver, 1968, 2005, The Songs, pp 105-8. and Denis Stevens. The five songs in ‘As …
The extant stage directions do not imply the use of songs or musical interludes act scene line Click here to find out more about suggested …
Dates at the beginning indicate month and year of a review in The Gramophone magazine (and those in curves after the title indicate that the …
(CM8-9: 49 cues) L17-19: cornetts the only designated instruments.BR121 notes the use of dance in modern productions act scene line Click here to find out …
† Items so marked consist mainly of commentary where references are to page numbers. The names of Composers are capitalised except where they are mainly …
SETTINGS FOR SHAKESPEARE PLAYS IN MUSIC OF HIS TIME incorporating passages which relate to music and dancing * Indicates that this word will be found …
INDEX OF WORKS BY NAMED COMPOSERS (or arrangers) of music current in Shakespeare’s time Compilers of anthologies are not here distinguished from composers, so that, …