This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
Značka: Measure for Measure
INDEX OF WORKS BY NAMED COMPOSERS (or arrangers) of music current in Shakespeare’s time Compilers of anthologies are not here distinguished from composers, so that, …
BACK TO TOP OF PAGE Index to musical allusions in the play texts ± Location of less standard stage directions as well as musical terms …
INDEX OF WORKS BY NAMED COMPOSERS (or arrangers) of music current in Shakespeare’s time Compilers of anthologies are not here distinguished from composers, so that, …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
Abbreviation used for each play – with number of suggested potential musical interjections All’s well that ends well (AW-6) Antony and Cleopatra (A&C-8) As You …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
Toto je spomienka na tichého velikána z Poľska, ktorý celý život spracovával hry Williama Shakespeara, podrobne skúmal hudbu a hudobné nástroje v nich a vytvoril …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
(CM202: 42 cues) Brissenden discusses the significance of images of dancing in the play (BR27-8). act scene line Click here to find out more about …
(CM76-7: 42 cues). MM39 trumpets silent until V v at the entrance of the newly crowned king who rejects Falstaff. MM8 no woodwind. act scene …
(CM204: 11 cues) Perhaps the best-known attempt to reconstruct the music of Act I scene v played at the Capulet ball and banquet into which …
(CM89-90: 69 cues) LH95: conventional signal for opening 3 trumpet calls. Allusions to music discussed in OS96 and AS 125/ ۞CamS2 suggests a ‘Battaglia’ played …
(CM144: 28 cues) . D)127-131 cites passages relating to Falstaff’s assignation with Mistress Ford on behalf of ‘Mr Brook’ calling for the fine lute song …
(CM242: 35 cues) The most recent contribution to the study of the place of music and dance in this play, in David Lindley’s Shakespeare and …
(CM236: 46 cues); see especially F W Sternfeld Troilus and Cressida: music for the play, pp. 114-5, in English Institute Essays, 1952; ed. by A. …