(CM209-210: 17 cues). David Lindley’s recent Shakespeare in music LS218-233 treats this aspect of the play in detail. Nosworthy declares that ‘music informs the action …
(CM188: 7 cues). AS3 (1997) 390-3 App 5 Helen Wilcox contributes an essay ‘Musical settings and songs’ based on F. W. Sternfeld S146, 149 and …
(CM204: 11 cues) Perhaps the best-known attempt to reconstruct the music of Act I scene v played at the Capulet ball and banquet into which …
With Thomas Middleton. (CM233-4: 49 cues) act scene line Click here to find out more about suggested song I i 96 Trumpets sound. (MM ) …
At least half this play is the work of John Fletcher and has not until recently been considered as part of the Shakespeare canon (Stanley …
(CM89-90: 69 cues) LH95: conventional signal for opening 3 trumpet calls. Allusions to music discussed in OS96 and AS 125/ ۞CamS2 suggests a ‘Battaglia’ played …
(CM144: 28 cues) . D)127-131 cites passages relating to Falstaff’s assignation with Mistress Ford on behalf of ‘Mr Brook’ calling for the fine lute song …
(CM126-7: 65 cues) First performance 1606; first folio (1623) has added musical stage directions; OS (1990) 225-33. App. B ‘Musical Additions’/ NC p. xxiv/ B258 …
(CM242: 35 cues) The most recent contribution to the study of the place of music and dance in this play, in David Lindley’s Shakespeare and …
(CM95-6: 89 cues) act scene line Click here to find out more about suggested song I i 0; 49 Alarum. Enter…{with drummers}; Flourish; 206; 273 …
(CM105-6 48 cues) act scene line Click here to find out more about suggested song I i 0; 225 {Flourish}; [Colbrand, the Giant, that same …
(CM93-4: 68 cues) act scene line Click here to find out more about suggested song I i 0 *Flourish of *trumpet; then *hautboys. Royal Wedding …
(CM266: 17 cues); see especially SQ Spring 1959, pp. 161-175; AS (1963) App II, p.172-4 for a discussion of the music and songs. Nosworthy notes …
(CM236: 46 cues); see especially F W Sternfeld Troilus and Cressida: music for the play, pp. 114-5, in English Institute Essays, 1952; ed. by A. …
(CM140: 30 cues) In Act V (‘The Belmont Act’) Shakespeare’s philosophy on the power of music is expounded (cf W7), an Act ‘drenched in moonlight …
(CM91-2: 90 cues). Text has been partly attributed to Thomas Nashe act scene line Click here to find out more about suggested song I i …
By Shakespeare and George Wilkins (CM198: 13 cues). Reconstructed text The un-Shakespearean quality of the first two acts has been noted and are generally accepted …
(CM107-9: 60 cues) This survey refers to the version as printed in the 1623 Folio. The 18 verse snatches are listed as it has been …
(CM207: 17 cues) H. J. Oliver in OS (1982) gives the background to the Music Lesson in III i 45-83, DO 101-2 gives the score …
(CM101: 45 cues) MM175-7 has performance suggestions. Of the many *alarms indicated in the stage directions in Act V, these could be played as confused …
(CM112: 25 cues) Note especially Dinn Music in ‘Love’s Labour lost’ (DM), Maynard on the songs and singers in this play (ME 176-7) and ‘A …