This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
Abbreviation used for each play – with number of suggested potential musical interjections All’s well that ends well (AW-6) Antony and Cleopatra (A&C-8) As You …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
Toto je spomienka na tichého velikána z Poľska, ktorý celý život spracovával hry Williama Shakespeara, podrobne skúmal hudbu a hudobné nástroje v nich a vytvoril …
This incorporates an attempt to follow up any kind of musical allusion in the play texts and stage directions which relate to dance and other …
Koncert hudební skupiny ERUPCE ve městě Slavonice dne 16. září 2023 byl opravdovým hudebním zážitkem. Skupina přinesla na pódium neskutečnou energii a talent, kterým dokázala …
SETTINGS FOR SHAKESPEARE PLAYS IN MUSIC OF HIS TIME This bibliographical survey has been prepared with the very practical aim of enabling theatre directors to …
(CM202: 42 cues) Brissenden discusses the significance of images of dancing in the play (BR27-8). act scene line Click here to find out more about …
(CM76-7: 42 cues). MM39 trumpets silent until V v at the entrance of the newly crowned king who rejects Falstaff. MM8 no woodwind. act scene …
(CM156: 30 cues). Note especially Sharp ‘The Songs and incidental music in MND’ [SCm]. MH142: ‘chaste’ recorders more apposite than the expressive viols. L87-88: musicians …
(CM235: 34 cues) Note: ‘*Fortune my foe sung to the old ballad of “Titus Andronicus’ complaint” DO 397-400 quotes the ballad text in this setting, …
(CM209-210: 17 cues). David Lindley’s recent Shakespeare in music LS218-233 treats this aspect of the play in detail. Nosworthy declares that ‘music informs the action …
(CM188: 7 cues). AS3 (1997) 390-3 App 5 Helen Wilcox contributes an essay ‘Musical settings and songs’ based on F. W. Sternfeld S146, 149 and …
(CM204: 11 cues) Perhaps the best-known attempt to reconstruct the music of Act I scene v played at the Capulet ball and banquet into which …
With Thomas Middleton. (CM233-4: 49 cues) act scene line Click here to find out more about suggested song I i 96 Trumpets sound. (MM ) …
At least half this play is the work of John Fletcher and has not until recently been considered as part of the Shakespeare canon (Stanley …
(CM89-90: 69 cues) LH95: conventional signal for opening 3 trumpet calls. Allusions to music discussed in OS96 and AS 125/ ۞CamS2 suggests a ‘Battaglia’ played …