(CM156: 30 cues). Note especially Sharp ‘The Songs and incidental music in MND’ [SCm]. MH142: ‘chaste’ recorders more apposite than the expressive viols. L87-88: musicians …
Značka: King John
(CM209-210: 17 cues). David Lindley’s recent Shakespeare in music LS218-233 treats this aspect of the play in detail. Nosworthy declares that ‘music informs the action …
(CM188: 7 cues). AS3 (1997) 390-3 App 5 Helen Wilcox contributes an essay ‘Musical settings and songs’ based on F. W. Sternfeld S146, 149 and …
(CM204: 11 cues) Perhaps the best-known attempt to reconstruct the music of Act I scene v played at the Capulet ball and banquet into which …
At least half this play is the work of John Fletcher and has not until recently been considered as part of the Shakespeare canon (Stanley …
(CM144: 28 cues) . D)127-131 cites passages relating to Falstaff’s assignation with Mistress Ford on behalf of ‘Mr Brook’ calling for the fine lute song …
(CM126-7: 65 cues) First performance 1606; first folio (1623) has added musical stage directions; OS (1990) 225-33. App. B ‘Musical Additions’/ NC p. xxiv/ B258 …
(CM242: 35 cues) The most recent contribution to the study of the place of music and dance in this play, in David Lindley’s Shakespeare and …
(CM105-6 48 cues) act scene line Click here to find out more about suggested song I i 0; 225 {Flourish}; [Colbrand, the Giant, that same …
(CM266: 17 cues); see especially SQ Spring 1959, pp. 161-175; AS (1963) App II, p.172-4 for a discussion of the music and songs. Nosworthy notes …
(CM140: 30 cues) In Act V (‘The Belmont Act’) Shakespeare’s philosophy on the power of music is expounded (cf W7), an Act ‘drenched in moonlight …
By Shakespeare and George Wilkins (CM198: 13 cues). Reconstructed text The un-Shakespearean quality of the first two acts has been noted and are generally accepted …
(CM107-9: 60 cues) This survey refers to the version as printed in the 1623 Folio. The 18 verse snatches are listed as it has been …
(CM207: 17 cues) H. J. Oliver in OS (1982) gives the background to the Music Lesson in III i 45-83, DO 101-2 gives the score …
(CM112: 25 cues) Note especially Dinn Music in ‘Love’s Labour lost’ (DM), Maynard on the songs and singers in this play (ME 176-7) and ‘A …
(With Fletcher and possibly Massinger) (CM97-8: 47 cues). Original subtitle was ‘All is true’. This is largely a pageant play, in the words of Herbert …
Adapted by Thomas Middleton (CM137: 23 cues). AS2 App2: pp 201-3 The songs, by F.W. Sternfeld. See also David Lindley on the provoking power of …
(CM176: 27 cues) MM178-182 Suggestions for music discussed including ‘Aeirs in 5 parts’ by HOLBORNE. MM182: minimum 7 players: 2-3 bowed strings and one plucked; …
(CM55-6: 62 cues) [See esp. S53-66 and OS (1987): pp. 379-381 App. D. The Music of the Songs, ed. from contemporary material by F.W. Sternfeld …
(CM46-7: 44 cues). In OS (1998) 270-4 App. B: James Walker, and in AS3 (1998) 220-4 App C, John Caldwell discuss the provenance of the …
(CM20-21: 43 cues). Note especially Penguin edition, ed. H. J. Oliver, 1968, 2005, The Songs, pp 105-8. and Denis Stevens. The five songs in ‘As …